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ISSN 2278-2540 | DOI: 10.51583/IJLTEMAS | Volume XIV, Issue II, February 2025
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Assessing the Impact of Graphic Design and Art Works on
Environmental Aesthetic; a Case Study of Lokoja Town, Kogi
State, Nigeria
Ibrahim Umoru
& Abdul Nobert Marcus
School of Arts, Design and Printing, Kogi State Polytechnic Lokoja, Nigeria
DOI : https://doi.org/10.51583/IJLTEMAS.2025.14020024
Received: 06 February 2025; Accepted: 17 February 2025; Published: 15 March 2025
Abstract: Posting of advertisement graphical bills constitutes one of the biggest threats to man and his environment as it now
appears and as we live in an age of growing sensitivity to environmental cleanliness. Pollution of the Nigerian cities through
advertisement bills assumes the general term of outdoor advertising ranging from hand-printed signs, posters, painted bulletins
and spectaculars. The concept of the urban and environmental graphics in the city aesthetic planning system has gained currency
in many advanced countries. Nigerian signs and billboards can be referred to as environmental pollution because they create
problems, and affect the urbanization planning in Nigerian cities. Also, the concepts equally see the objects in the streets as
making up the city as figure and decorations not mere junks. As a result, urban and environmental graphics embraces city
planning, which lacks care of all spheres - physical, aesthetics, transportation, waste disposal, erection of billboards, posters and
other constructions that could enhance the beauty as well as harm the image of the city. The study area is Lokoja and its environs.
Random sampling technique was adopted to ensure that each unit of the population is well represented in order to get the
necessary information from the samples. The findings emphasize the importance of strict control and market regulations in
posting of advertisement bill in built environment and eradication of pollution of the environment.
Keywords: Urban, Graphic, Design, Billboards, Visuals, Aesthetic, Urbanization, Beautification
I. Introduction
The concept of urban graphics in modern times is closely linked to urbanization development. This relationship is evident in the
rapid increase in young urban centers worldwide, particularly in developing countries (Durotoye, 1998). As cities and urban
populations grow, the need for orderly visual guidance systems, organized using scientific environmental graphic rules, becomes
increasingly important. Environmental graphics play a crucial role in shaping urban community images by providing visual
aspects of way finding, communication, identity, and information. These elements significantly impact human interaction with
their living environment, influencing how they meet their needs. In Nigeria, the rapid concentration of population in urban areas
and the proliferation of urban activities, including physical construction and development, have put pressure on the natural
environment, inevitably deteriorating its aesthetics. Concern for the environment has become a critical issue in Nigeria's
urbanization and urban development in recent years. Environmental graphics, with their symbolic nature, encompass a wide range
of visual components that represent concepts, information, and functions of each place and situation using efficient and dynamic
expressive methods. These visual components facilitate human understanding of their surroundings, enabling them to achieve
their objectives aesthetically and access intended situations efficiently (Rashvand, 2013).
Environmental graphics are essential in attracting audiences and play a significant role in advertising and business activities. To
establish logical and rational relationships between individuals and their environment, strict organization and visual expression
principles are necessary. Environmental graphics aim to create visually appealing and harmonious spaces. Ultimately, the purpose
of graphic design for interior and exterior spaces is to create vibrant, healthy, and compelling environments. The use of
environmental graphics in interior spaces is effective and essential for achieving desirable environmental structures (Iloukhani,
2009; Ostovar, 2013).
Nigerian public buildings have evolved into vibrant showcases of art and design, transcending the bleak utilitarianism of the early
international style. Architects in Nigeria now incorporate sculptures, mural designs, and other art forms as integral elements of
building design, rather than mere embellishments. This harmonious blend of art and architecture has become a hallmark of the
Nigerian built environment. The role of art and design in Nigerian public buildings extends beyond aesthetics; it plays a vital
function in enhancing the quality of life. Interior decorators, mosaic artists, muralists, painters, ceramists, sculptors, and graphic
designers all contribute to the development and beautification of the environment. The natural surroundings and gardens of
buildings are carefully planned and designed to reflect artistic creativity. Nigerian public architectural buildings are a testament to
the fusion of art and design. The environment itself serves as a source of inspiration, as nature has long been a catalyst for
creative activities. According to Fichner-Rathus (2002), art and design have been employed for centuries to create pleasing
environments. Various art forms, including paintings, murals, mosaics, and sculptures, are used to decorate interiors and enhance
the beauty of exteriors. Lawal (1982), emphasizes the significance of art in enriching Nigerian aesthetic consciousness. He notes
that art and design not only provide basic necessities like shelter, utensils, and clothing but also make the environment more
visually appealing. The impact of art and design on Nigerian public buildings is rooted in universal principles of truth and beauty.
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Statement of Research Problem.
The posting of advertisement bills in the built environment has severe negative consequences, affecting not only individual
community members but also Nigerian society as a whole. The quality of the built environment significantly impacts an
individual's life, influencing their well-being positively or negatively depending on its design. The deplorable state of Nigeria's
environment, coupled with its potential consequences, creates an environment conducive to the spread of disease-causing vectors,
posing a significant threat to contemporary society (Falade, 2005). Research highlights that individuals strive to live in a healthy
environment, yet often neglect environmental maintenance. In Nigerian urban centers, the proliferation of graphics advertisement
bills has become a major source of pollution, leading to information overload, visual over-stimulation, and severe psychological
effects on humans. Furthermore, the waste generated from advertisement materials, including paper, vinyl, synthetic materials,
wood, and metal, has detrimental effects on both the built environment and human well-being (Oladumiye, 2013).
The improper placement of billboards in Nigerian cities has led to visual pollution, undermining the potential of graphic
communication to enhance environmental beautification. While ecologists and environmentalists focus on global issues like
climate change, deforestation, and pollution, Nigerian designers and artists should prioritize addressing visual pollution in their
environment (Emeji, 2002). Graphics visuals, particularly billboards, are a prominent feature of Nigerian urban centers. However,
in many cities, signs are misplaced, obstructing roads, blocking pedestrians' views, and disrupting traffic flow. According to
Ogunduyile (2000), the concept of urban graphics and city planning is not new to Nigeria, dating back to the pre-independence
era. Prior to independence, Nigerian cities exhibited well-planned urban structures, adorned with sculptures, beautifully designed
billboards, and well-manicured gardens. Streetlights and harmonious neon lights illuminated the cityscape at night. However, the
current state of neglect and lack of maintenance has led to a decline in urban aesthetics. Today, urban beautification signs are
often obscured by refuse dumps and neglect. This research aims to investigate urban aesthetics in the placement of graphics signs,
examining the problems and impact on the environment.
Study objectives.
The main purpose of this study is to investigate aesthetic components of environmental graphics of Lokoja and environs.
Specifically, the study is set to achieve the following objectives:
1. To examine the causes of wrongful placement of graphic signages and adverts on the environment.
2. To examines the impact of graphics design and placement of adverts on the environmental aesthetics of Lokoja and
environs.
3. To assess the role of graphic design on environmental aesthetics of Lokoja and environs.
4. To proffer solutions on enhancing the aesthetic value Lokoja and environs through graphic arts.
Research questions.
1. What features of environmental graphics affect the aesthetic value of Lokoja and environs?
2. What role can environmental graphics play on enhancing the aesthetic value of Lokoja environment?
3. What role can individuals play to avoid wrongful placement of graphic adverts?
Study area.
Lokoja, the study area, is situated between latitude 48' North and longitude 44' East (Figure 1). The town has a mean
elevation of 41 meters (265 feet) above mean sea level (Ojo, 1985). Lokoja's climate is tropical, characterized by two distinct
seasons: a wet season from March to October, and a dry season from November to February. The town experiences high humidity
throughout the year due to its location in the river valley. Temperature fluctuations are minimal, with a mean temperature of 27°C
(Ojo, 1985). The local economy is driven by various activities, including trading, fishing, farming, and mining. Fishing occurs
year-round along the Benue and Niger rivers. The area is rich in minerals such as marble, limestone, iron ore, granite, sand, and
gravel. Lokoja's large market attracts thousands of traders, and the town boasts a significant service sector.
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The Conceptual Framework/review of literature
This study views graphic design as a methodology for visual communication and problem-solving, utilizing type, space, and
images. As a subset of visual communication and communication design, graphic design plays a crucial role in advertising
products through mediums like billboards, handbills, and posters. Outdoor advertising, also known as bill posting, is an effective
way to reach a mobile audience, offering the lowest cost per exposure of any major advertising medium. It produces a significant
impact due to its size, color, and prominence. According to Wilmshurst (1985), outdoor advertising encompasses various formats,
including posters, painted bulletins, signs, and spectaculars. Street graphics design products, such as signs, billboards, banners,
and store fronts, facilitate communication along streets and highways. These visual elements are designed to capture attention and
convey messages effectively.
However, excessive advertising, including billboards and graffiti, contributes to visual pollution. Graffiti, in particular, adds to
clutter, disturbs the view, and can have a negative influence on younger audiences. Similarly, billboards have been criticized for
being a distraction to drivers, promoting excessive consumption, and cluttering the landscape (Robin, 2015; Morozan, Enache, &
Purice, 2013). The built environment encompasses various structures, such as market stalls, shopping malls, hospitals, schools,
and infrastructure like roads and dams. According to Falade (2005), these structures reflect humanity's efforts to create habitable,
comfortable, and healthy surroundings.
From another perspective, the built environment can be seen as a product of evolution, balancing natural and constructed
elements to create a beautiful and fulfilling environment that caters to human well-being in various aspects, including spiritual,
physical, social, cultural, economic, and psychological (Osuntogun, 2005).Based on the above context, the built environment can
be described as a space that incorporates materials, technology, and elements such as urban design, visual arts, greenery, and
decorative landscaping. The Nigerian built environment aligns with these characteristics. The influence and consequences of bill
posting in Nigeria’s urban areas are evaluated through factors like urban planning, architectural quality, cleanliness, public
visuals, and artistic expression. The impact of posting bills on our social environment cannot be overlooked, as posters of various
sizes, shapes, and types are used to raise public awareness about numerous products and services. Soon, almost every available
wall is covered with posters, a practice known as "Bill Sticking." A key factor in posting a bill is choosing a visible location,
which often leads to the defacement of public buildings. One of the negative aspects of bill posting is how the medium affects the
message. In fact, many people associate outdoor advertising with clutter, believing it detracts from and spoils the natural beauty
of the environment (Makanju, (2005).
In the study conducted by Ogunduyile (Ogunduyile, 2000), Emeji ([Emeji, (2002) and Oladumiye (Oladumiye, (2013), attention
was drawn to the bill pollution in Nigerian built environment, the study criticized the indiscriminate and proliferate of pasting low
quality of outdoor posters that inform, and warn. Also, it identifies corporate goods and services of medium and, large plus small
poster system of individual traders and professionals with little or no consideration for human, psychological and environmental
factors, coupled with juxtaposition of incompatible elements cause’s visual disorders in built environment. Nigerian built
environment has been a conflux of diverse things, the individual messages and their untidiness are incomprehensible to the
people, for example, weak posters and bills are removed by wind and rain, some are torn into pieces; the peeling of the bills
constitute visual environmental pollution. Some of these bills are not replaced for many years, and months, thereby polluting the
built environment. They have failed to deliver the message meant for the people due to lack of application of the basic elements
of design. They therefore project visual disorder and visual clutter perpetuating visual pollution, visual chaos and visual
obstruction which tend to diminish aesthetic sensibility and visual literacy in Nigerian cities. Environmental pollution of bills is
assuming global magnitude and its frontiers are no more confined to any particular part of the planet. Nigeria as a country is not
left out of this point because they share the biggest intimidation of unkempt built environment (Oladumiye, 2013).
The nature of advertising in Nigerian cities
Outdoor advertisement in Nigeria is an evolving marketing strategy that according to Sinclair (2006) forms part of everyday
culture, often adding colour to the streets, a good indicator of business and valuable source of information viewed by many as a
form of entertainment and information. This is executed by graphic design products like posters, bills, billboards, handbills
among others. The Outdoor Advertising Agency of Nigeria (2005) as cited in Okosun and Jiburum (2015) observed that outdoor
advertisement billboards and posters are designed to catch a person’s attention and create memorable impression very quickly.
Agukoronye (2004) also observed that well-regulated outdoor advertisements create a positive image of a city which enhances
confidence, sense of security, safety, goodwill and consequently attract more loyalty. Kayode (2015) observed that evidences
abound that outdoor advertisement designs in whatever functions or capacities add glamour to the environment, especially when
they are properly placed and maintained. On the issue of environmental relevance, William (2005) opined that outdoor
advertising has an appealing option due to its ability to target its audience from various geographical locations, and it is
extensively low in cost per person reached. It was also observed that signposts, road traffic symbols, picture montages, banners,
multi-coloured buntings and structural paintings are components that characterize a beautiful urban environment. From the
foregoing however, it is obvious, apart from the marketing function of outdoor advertising, that when aesthetically placed they
contribute to the beauty of the Nigerian urban environment. Despite the issues raised above, it has been observed that
indiscriminate installation and display of outdoor advertisement billboards and posters cause visual intrusion and disorderliness of
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the Nigerian urban environment. According to Bankole (2013), although the placement of outdoor billboards in Nigerian cities
are essential to the understanding of the increasing complexity in the Nigerian built environment, they are seen as indiscriminate
and proliferous erection of sign-systems with little or no consideration for human, psychological and environmental factors,
coupled with juxtaposition of incompatible elements that cause visual disorder, overload of visual information, and obstruction to
motorists and pedestrians. Oshigha (1975) observed that the inability to communicate in some cases is very often complicated by
the mingling of designs that are contradictory; perpetuating visual disorder and chaos. Olusola (2010) observed that uncontrolled
outdoor advertisements cause visual intrusion and block important traffic signs from motorists and pedestrians, thus causing
avoidable accidents. Okosun and Jiburum (2015) in their study of Enugu observed that the continued presence of time related
billboards, signage posters and banners long after the advertised events, reduce the quality of the environment. Political and
religious posters pasted on bus stands have defaced all the bus stands along Enugu City major roads. In a nutshell, these outdoor
advertisement billboards and posters, no doubt, are vital factors in the business world, but their placements and characters have
been greatly abused by those in the business environment. This posture experienced in almost, if not all our urban environments
has created unattractive sights and aesthetically unpleasant urban scene.
Trends of Posting Bills in Built Environments
The origin of posting bills in Nigeria's built environment dates back to the 1390s, when merchants were required to label their
premises, wares, and products with signs and identifications. This practice gained widespread acceptance in the 16th century, with
signs becoming a crucial aspect of business identification. By the 19th century, printing techniques like screen and lithographic
printing increased the production of posters and handbills. This led to a surge in demand for bill posting spaces, resulting in the
proliferation of posters and handbills on street walls, fences, and available spaces (Oladumiye, 2011). The growing demand for
outdoor advertising in Nigeria has led to innovations in various forms of outdoor media, catering to the needs of practitioners and
clients. However, this has resulted in the saturation of public spaces in built environments with posters, billboards, banners, and
logos, contributing to growing pollution. In Lokoja, the trend of posting advertisement bills outdoors has become a significant
contributor to solid waste and visual pollution in built environments (Oladumiye, 2011).
Nigeria's rapidly growing population, projected to reach 402.4 million by 2050 (World Population Data Sheet, 2012), has led to
increased rural-urban migration and development of built environments. This growth has resulted in a surge in consumer
products, driving retailers to seek advertising spaces. Nigeria, being the largest market for consumer products in Africa, has led to
a proliferation of advertisements, promoting new products, rebranding, and offering promotions. This has resulted in the
employment of various advertising media, contributing to environmental pollution. Advertisement bills are produced in various
mediums, including paper, vinyl, metal sheets, and synthetic materials. They are often pasted on walls, shop doors, glasses, public
amenities, and even trees. Flyers, pamphlets, and posters are also distributed to the public, while booths, kiosks, pylons, poles,
and gantries are used to display advertisements. The indiscriminate posting of bills on government properties, electricity poles,
bridges, and bus stops in major parts of Lokoja and its environs has become a significant concern (Author's Collection, 2024).
Figure3&4: New trends in posting bills and its effects on the environment
Political Campaign and Social Trends
Nigeria's political and social trends have led to pollution in built-up areas due to the careless posting of advertisement bills.
Politics and religion are big users of outdoor advertising in Nigeria. As a result, streets in Nigerian cities are filled with colorful
posters, flyers, and pamphlets promoting politicians, religious events, social gatherings, and meetings. These materials contribute
to pollution in Nigerian cities. The easiest method for political candidates to get themselves known is to put up posters and
advertisement bills featuring their faces and these graphics materials are pasted on all available spaces. Example is figure 3&4.
When the entire country is preparing for elections, politicians, political parties, and their campaigners vehemently post bills
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everywhere, polluting the environment in the process. In their frenzy, they cover both rural and urban landscapes with political
bills, ranging from tiny scraps of paper to giant banners that stretch from rooftops down to basements. These bills are mostly
posted by touts and party supporters, contributing to environmental degradation. As a result, many victims whose walls and
signposts have been defaced are afraid to protest for fear of harassment (Etsename, 2007; Adewakun, 2011).
Figure 5&6: Negative effects of bill boards postings
II. Methodology
This study employed a mixed-methods approach, utilizing both primary and secondary data sources. Primary data was collected
through a structured questionnaire, which gathered information on various aspects of poster usage, including sources, display
areas, removal practices, motivations, effectiveness, and public perception. Secondary data was obtained from relevant articles in
journals, newspapers, and books. The study focused on six urban areas, purposively selected due to their central role in socio-
economic and political activities within their respective Local Areas. Consequently, these areas exhibited more pronounced issues
of visual pollution. Within each selected area, streets were randomly chosen, and a total of 400 respondents were sampled to
participate in the questionnaire survey. Additionally, maps of the study area and photographs of posters displayed in various parts
of the town were used to support the research.
Data Collection Instrument
In this study, data were collected by means of a structured questionnaire. Four hundred questionnaires (400) were randomly
distributed at various locations in Lokoja town. The questionnaire was divided into four equal numbers per location
Data Analysis and Discussions
Appropriate methods of data analysis were used to accurately process the data collected from field survey, and data analysis,
where necessary. As a result, descriptive analysis was used to facilitate the easy communication of the results while, at the same
time ensure validity. Based on this assertion, frequency and percentage distribution were used to analyse the background
information of the respondents and issues raised in the questionnaire.
Data Collection Instrument
In this study, data were collected by means of a structured questionnaire. Four hundred questionnaires (400) were randomly
distributed at various locations in Lokoja town. The questionnaire was divided into four equal numbers per location
Data Analysis and Discussions
Appropriate methods of data analysis were used to accurately process the data collected from field survey, and data analysis,
where necessary. Descriptive analysis was used to facilitate the ease communicating of the results while, at the same time ensure
validity. Based on this assertion, frequency and percentage distribution were used to analyze the background information of the
respondents and issues raised in the questionnaire.
Sex Distribution of Respondents
From table 1, age group 15 - 24 has 20%, age group 25 - 34 has 19%, age group 35 - 44 has 11.5%, age group 45 - 54 has 17%,
and age group 55 - 64 has 17.5% and age group 65 and above has 15%. Figure 2 shows that age group 15 - 2⁵4 has the highest
percentage of respondents. It implies that these are the age groups of those who used to past posters and bills indiscriminately.
Table 1: Sex distribution of respondents
Age group
Male
Percentage
Female
Percentage
15 - 24
40
20
40
20
25 - 34
38
19
35
17.5
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35 - 44
23
11.5
34
17
45 - 54
34
17
29
14.5
55 - 64
35
17.5
35
17.5
65 and above
30
15
27
13.5
Total
200
100%
200
100%
Recent innovations in Science and Technology
Table 1 shows that 29.5% of respondents from Adankolo junction believe advances in science and technology contribute to
environmental pollution from graphic bills. Similarly, 24.5% from Ganaja junction and 18.7% from Nataco share this view.
However, 22% disagree, and 30% strongly disagree in Ganaja Village. The negative opinion from these locations stems from the
belief that lack of regulatory agencies and their ineffectiveness are more significant factors in environmental pollution, rather than
advances in science and technology. The data suggests that advances in science and technology have enabled outdoor spaces to
contribute to environmental pollution through the posting of bills in built environments. Large format printing machines, for
instance, allow advertisers to produce oversized banners and bills that are pasted in strategic locations without proper
maintenance. These findings highlight the need for effective regulation and responsible advertising practices to mitigate the
environmental impact of outdoor advertising in Nigeria.
Table 2: Innovations in Science and Technology
Study Area
Frequency
Percentage
Adankolo
Strongly agree
92
23
Agree
118
29.5
Disagree
100
25
Indifference
90
22.5
Total
400
100
Ganaja junction
Strongly agree
115
28.8
Agree
98
24.5
Disagree
102
25.5
Indifference
85
21.2
Total
400
100
Nataco
Strongly agree
65
16.3
Agree
75
18.7
Disagree
108
27
Indifference
152
38
Total
400
100
Ganaja Village
Strongly agree
112
28
Agree
98
24.5
Disagree
88
22
Indifference
122
30.5
Total
400
100
Table 3 reveals that the towns lack settlement master plans, leading to a disorderly occupation of usable spaces. Even in areas
with some semblance of planning, properties and spaces are often converted for uses that conflict with built environment
regulations. The consequences of these issues include the indiscriminate posting of outdoor bills without restrictions, as long as
the target audience is reached. The lack of proper settlement delineation in city centers, particularly in commercial, residential,
and reserve areas, has led to the proliferation of posters and bills. Respondents from the four research areas overwhelmingly agree
that the absence of a master plan is a primary cause of environmental pollution. Specifically, 35% of respondents from Adankolo
junction, 27% from Ganaja junction, 24.3% from Nataco, and 40.5% from Ganaja Village strongly support this notion. Therefore,
it is essential to develop master plans for cities, considering the allocation of space for bills and mitigating environmental
pollution.
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Table 3. Lack of master plans in Nigerian cities, cause indiscriminate environmental pollution
Frequency
Percentage
Strongly agree
140
35
Agree
115
28.8
Disagree
95
23.7
Indifference
50
12.5
Total
400
100
Strongly agree
108
27
Agree
96
24
Disagree
90
22.5
Indifference
106
26.5
Total
400
100
Strongly agree
97
24.3
Agree
113
28.2
Disagree
85
21.3
Indifference
105
26.2
Total
400
100
Strongly agree
162
40.5
Agree
118
29.5
Disagree
50
12.5
Indifference
70
17.5
Total
400
100
Ineffective Regulatory Agencies
The results of this study clearly indicate that respondents agree, and strongly agree, that the failure of local authorities contributes
to bill pollution in the city’s built environment. According to Table 3, 31% of respondents from Nataco agreed with this point,
31.8% from Adankolo Junction, 26.8% from Ganaja Village, and 44.0% from Otokiti Village strongly agreed that environmental
pollution caused by bill postings is due to ineffective regulatory agencies. In more advanced regions, the placement of bills is
typically controlled by regulatory ordinances and legislation. These laws establish factors that govern and monitor the placement
and posting of bills in the built environment.
In Lokoja, local authorities enact ordinances and regulations that reflect the community's general attitudes towards posting
graphical bills and signs. However, these laws often fail to provide effective enforcement. While they outline simple, clear, and
environmentally sensitive standards for various types of advertisement bills, their implementation remains ineffective.
In Nigeria, the local government is constitutionally mandated under Decree 21 of 1998 to regulate and collect levies on outdoor
advertisements. However, local authorities often prioritize the revenue-generating aspects of this mandate, neglecting the
aesthetic and environmental planning of the built environment. Moreover, the Nigerian government has promulgated various
decrees to establish regulatory bodies for advertising practices, such as the Advertisers Association of Nigeria (ADVAN), the
Advertising Practitioners Council of Nigeria (APCON), and the Outdoor Advertising Association of Nigeria (OAAN). These
bodies have formed the Advertising Standards Panel (ASP), tasked with monitoring the indiscriminate posting of graphical bills.
However, there is little evidence to suggest that these agencies are effectively enforcing regulations in Nigeria's built
environment.
Table 4: Failure of regulatory agencies
Study Area
Frequency
Percentage
Adankolo
Strongly agree
93
23.2
Agree
127
31.8
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Disagree
100
25
Indifference
80
20
Total
400
100
Ganaja junction
Strongly agree
176
44
Agree
144
36
Disagree
47
11.7
Indifference
33
8.3
Total
400
100
Nataco
Strongly agree
106
26.6
Agree
124
31
Disagree
115
28.7
Indifference
55
13.7
Total
400
100
Ganaja Village
Strongly agree
120
30
Agree
107
26.8
Disagree
103
25.7
Indifference
70
17.5
Total
400
100
Environmental Pollutions and the Effects of Posting Bills in Built Environment
There are several types of environmental pollution, each originating from different sources and having various effects on human
health. Pollution can be defined as the contamination of the built environment due to human activities. The term primarily refers
to the fouling of air, water, and land by waste materials. While pollution negatively impacts the natural world, it also has
measurable effects on human health. In recent years, the concept has expanded to include a broader range of environmental
disruptions. One growing source of pollution in Nigeria's built environment is outdoor advertising, which contributes significantly
to solid waste and visual pollution, Fajuyigbe, (2006). It is common in Nigerian cities to see advertisement bills posted and
mounted in almost any available space to capture public attention. This occurs despite some control measures being in place in
urban areas. Examples are figures 6&7. These advertisement bills are intended for outdoor use, but they have significant impacts
on the environment. For instance, solid waste is generated from the materials used to produce them. In built environments, where
public spaces are often cluttered with these bills, visual pollution becomes a concern.
Figure 6 and Plate 7: Environmental Pollutions and the Effects in Built Environment
Billboards, open storage of trash, space debris, telephone towers, electric wires, buildings and automobiles are forms of visual
pollution. An overcrowding of an area causes visual pollution. Visual pollution is defined as the whole of irregular formations,
which are mostly found in natural and built environment. The greatest effects of exposure to visual pollution include: distraction,
eye fatigue, decreases in opinion diversity, and loss of identity.
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Table 5. Negative effect of posting bills, billboards, posters, handbills on human health.
Study Area
Frequency
Percentage
Adankolo
Strongly agree
109
27.3
Agree
111
27.7
Disagree
105
26.3
Indifference
75
18.7
Total
400
100
Ganaja junction
Strongly agree
106
26.5
Agree
94
23.5
Disagree
110
27.5
Indifference
90
22.5
Total
400
100
Nataco
Strongly agree
130
32.5
Agree
105
26.2
Disagree
55
13.8
Indifference
110
27.5
Total
400
100
Ganaja Village
Strongly agree
99
24.8
Agree
101
25.2
Disagree
130
32.5
Indifference
70
17.5
Total
400
100
Table 5 reveals varying opinions on the impact of bill posting on health and environmental values. In Nataco, 26.2% agreed,
while 13.8% disagreed. At Ganaja Junction, 26.5% strongly agreed, 23.5% agreed, and 27.5% strongly disagreed. In Ganaja
Village, 25.2% agreed, whereas 32.5% disagreed. Overall, 27.3% strongly agreed, 27.7% agreed, and 26.3% disagreed. These
results suggest that bill posting, including billboards, posters, and handbills, negatively affects human health, environmental
values, well-being, and personal healthcare. The World Health Organization (WHO) emphasizes the interdependence of health
and the environment. It defines health as a balanced relationship between the body and mind, along with complete adaptation to
the external environment. WHO further defines environmental health as the aspects of human health and quality of life influenced
by chemical, physical, biological, social, and psychosocial factors in the environment.
III. Recommendations
1. Tasteful advertising on well designed, well cared for and well-placed structures of various types could add colour, light,
interest and gaiety to what otherwise might be a rather drab and sterile urban scene.
2. In the cities, regulatory agencies must create free spaces for public notices and information to curb the indiscriminate
defacing of public utilities by unregistered advertisers.
3. Installation of outdoor advertisement boards should be treated as part of the landscape planning proposals of the urban
areas.
4. The use of banners, posters and billboards by politicians, educationists, churches, entertainment industries etc. may not
require out-right stoppage. It is therefore pertinent to educate those using them to make provision for their immediate
removal as soon as their intentions are fulfilled.
INTERNATIONAL JOURNAL OF LATEST TECHNOLOGY IN ENGINEERING,
MANAGEMENT & APPLIED SCIENCE (IJLTEMAS)
ISSN 2278-2540 | DOI: 10.51583/IJLTEMAS | Volume XIV, Issue II, February 2025
www.ijltemas.in Page 221
5. There should be a drastic change in the orientation of the public by embracing audio and visual modes of advertising
and pay less emphasis on posters and banners. The radio and television as veritable alternative means of passing
information should be encouraged. Paperless advertising activities should be embraced as a way of reducing paper waste
in our cities.
IV. Conclusion
From this study, it is safe to conclude that environmental graphics is inseparable from man and his environment. The place of
billboards and signs in built environment cannot be ignored for billboards, signs and visual designs, according to this paper, are
signature of ancient civilization and the pivot on which beautiful environment rotates. In this technological age the modern man
perceives billboard as having an aesthetic value, that enriches the quality of living and making life and communication more
pleasant because it creates an awareness and educates people about product and services. Nigerian street is subjected to an
uncared-for environment filled with substandard billboards, thus a city or ordinance that could help to control the size of
billboards and signboards in street and road, irrelevant banners and posters should be prohibited. The existing signboards, posters
and banners on the street should be cleared from their present positions. By doing all these and others not mentioned in this paper,
urban environmental pollution of billboards placement would be eradicated in Nigerian cities.
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