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INTERNATIONAL JOURNAL OF LATEST TECHNOLOGY IN ENGINEERING,
MANAGEMENT & APPLIED SCIENCE (IJLTEMAS)
ISSN 2278-2540 | DOI: 10.51583/IJLTEMAS | Volume XV, Issue III, March 2026
Investigating the Performance of Colour Oxide on the PS/CNSO Oil
Paint Production
Osemeahon S. A
1
, Onoja A
2
, Apolmi G
3
, Aminu A
4
, and Dimas B
5
1
Chemistry department, Faculty of Physical Science, Modibbo Adama University. Yola, Adamawa
State. Nigeria.
2
Department of Chemistry, Federal College of Education (Tech.) Bichi, Kano State.
3
Department of Pure and Industrial Chemistry, Nnamdi Azikiwe University Akwa. Nigeria
4
Department of Chemistry, Federal College of Education, Yola.
5
Department of Chemical Science, Taraba State University, Jalingo.
DOI:
https://doi.org/10.51583/IJLTEMAS.2026.150300001
Received: 14 March 2026; Accepted: 19 March 2026; Published: 31 March 2026
ABSTRACT
This study investigated the effect of colour oxide pigments on the production of environmentally sustainable
oil paints utilizing a novel bio-based binder. Solid waste polystyrene was efficiently converted into liquid
polystyrene (PS) and subsequently blended with cashew nut shell oil (CNSO) extracted from waste cashew
nuts to produce a composite binder, designated as PS/CNSO. The physicochemical analysis of the PS/CNSO
binder was carried out which including pH, melting point, refractive index, density and moisture uptake. Also
the instrumental analysis was carried out such as: differential thermal analysis (DTA), X-ray diffraction (XRD),
and Fourier-transform infrared spectroscopy (FTIR) were thoroughly characterized to assess its suitability for
paint formulation. Oil paints were then formulated using the PS/CNSO binder, incorporating varying
concentrations of natural colour oxide pigments (1g, 1.5g, 2g, 2.5g, 3g, 3.5g, and 4g). The influence of pigment
concentration on the physical, chemical, and aesthetic properties of the resulting paints was systematically
evaluated. The findings demonstrate that the bio-based binder, combined with natural pigments, offers a
sustainable alternative for oil paint production, with pigment concentration significantly affecting the
performance and quality of the final product. This work highlights the potential of waste-derived materials in
developing eco-friendly coating solutions.
Keywords: CNSO, Coating Solution, Eco-friendly, PS/CNSO, Polystyrene, Recycling waste
INTRODUCTION
The increasing accumulation of solid waste, particularly polystyrene, poses significant environmental
challenges, necessitating innovative strategies for waste management and resource recovery. Recycling waste
polystyrene into useful materials offers a sustainable solution, reducing environmental impact while creating
value-added products. In this context, the transformation of solid waste polystyrene into liquid polystyrene (PS)
and its subsequent blending with natural oils represent promising avenues for sustainable material development
(Liem et al., 2017). In recent years, there has been growing interest in developing eco-friendly materials from
natural resources and waste byproducts. Cashew nut shell oil (CNSO), obtained from the abundant waste
cashew nuts, is a renewable, biodegradable, and environmentally benign material with potential applications in
polymer and coating industries. Its unique chemical properties make it suitable as a natural resin component in
binder formulations
(Liem et al., 2017). Cashew nut shell oil (CNSO), a byproduct of cashew nut processing,
is a renewable and biodegradable resource with potential applications in polymer and coating industries. Its
incorporation as a natural resin component in composite binders can enhance the environmental friendliness of
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INTERNATIONAL JOURNAL OF LATEST TECHNOLOGY IN ENGINEERING,
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paint formulations. By blending liquid PS derived from waste with CNSO, a novel composite binder
(PS/CNSO) is formulated, which serves as a sustainable alternative to conventional synthetic binders in oil
paint production (Onoja et al., 2019). This research investigates the physicochemical and instrumental
properties of the PS/CNSO composite binder, including pH, melting point, turbidity, viscosity, moisture uptake,
DTA, TGA, XRD, and FTIR. Furthermore, the study examines the effect of varying concentrations of colour
oxide pigments on the properties and quality of the oil paint produced. The integration of waste-derived
materials and natural pigments aims to promote eco-friendly practices in the paint industry, contributing to
sustainable development and waste valorization.
MATERIALS AND METHOD
Sample Collection
The method described by Onoja et al., (2019). The waste polystyrene were collected from the trash dumps of
the various electronics stores in Yola city. The impurities were removed from the waste PS, the collected waste
PS were processed, cleaned, size and dried and pyrolyzed to liquid PS pyrolysis oil using the pyrolysis plant.
Extraction of CNSO using Soxhlet extraction
The cashew nut were obtained from Jimeta market and washed with cleaned water and dried, the edible seed
inside was carefully separated, and the shell (waste) was ground into a tiny particles using a metalic pestle and
mortar. The soxhlet extractor and gasoline was used as the solvent for the extraction process Onoja et al., (2019).
Blending of PSPO with CNSO
The procedure described by Onoja et al., (2019), was used with little modification, which calls for measuring
12 % of cashew nutshell oil in 100 % of PS binder with constant stirring for 10 mins at room-temperature in
order to combine the two materials. A glass rod was used to completely mix the fluid together. The final blended
was kept in storage as PS/CNSO binder.
RESULTS AND DISCUSSION
Table 1: physiochemical properties of PS/CNSO composite
Physiochemical Properties
Value
Density
1.280 g/cm³
pH
2.78
Melting Point
139 °C
Refractive Index
1.556
Moisture Uptake
0
Density of the PS/CNSO composite
The density of a binder influences such properties as the dispersion and stability of pigment which can be used
to determine the critical pigment volume concentration, spreading capacity and consistency of the paint. The
incorporation of CNSO in the PS/CNSO composite may attributed to the change in the morphology give rise
to formation of a new macro structure reestablish a morphology with good packing nature leading to increase
in the density of the composite. Usually, the density of a paint resin has a profound influence on factors such
as flow, leveling, sagging, pigment dispersion and brushability of paint (Osemeahon and Archibong, 2011).
Moisture uptake of the PS/CNSO composite
Table 1, show zero tolerance to water uptake, this implies there will be no fear of film degradation, this may be
associated with the hydrophobic nature of PS/CNSO taken dominancy (Sohel et al., 2015). Possible interaction
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between PS and CNSO can also lower the OH groups in the copolymer resin, hence eliminating affinity for
water molecules and also the crosslinks produced by this interaction may also result in good resistance to water
and alkali.
Refractive Index of the PS/CNSO composite
Table 1, show that the PS/CNSO composite give higher refractive index compare to PS binder this can be
attributed to the changes in proportion of the amorphous and crystalline phases in the copolymer composites as
this primarily arouse light scattering. It may also be due to the orientation and a state of aggregation established
by PS/CNSO, thereby creating light scattering boundaries and discontinuities in the molecular structure of the
copolymer composite. PS/CNSO is coloured (dark brown), and hence its ability to impact haze and increase
the refractive index and also due to surface enrichment of certain chain constituents and/or surface induced
phase hence the high refractive index observed (Liem et al., 2017). Gloss is one of the intrinsic qualities of oil-
based paints which the PS/CNSO has shown or impacted
pH of the PS/CNSO composite
The pH values of the PS/CNSO composite is 2.78 which indicates that the paint is acidic. The PS/CNSO
composite which is within acidic range is not a favourable condition for bacteria to strive in it; therefore, it is
not susceptible to bacteria attack (Surajudeen et al., 2015). The high in acidic level may be attributed to the fact
that the two constituents (PS - 2.73 and CNSO - 3.00) are highly acidic. The results of the pH for PS/CNSO
composite produced is presented in Table 1. This shows a slight reduction in pH values from PS concentrations,
which means that Paint formulation, will take place in acidic conditions.
Figure 1 DTA analysis of PS/CNSO
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The thermal analysis of the PS/CNSO sample reveals that the composite is thermally stable up to approximately
300°C, with the primary decomposition occurring between 350°C and 450°C, as indicated by a sharp weight
loss in the TGA curve and a corresponding endothermic peak in the DTA curve. This degradation is attributed
to the breakdown of the polystyrene matrix and the organic components of CNSO. A secondary, slower
decomposition occurs between 500700°C, possibly due to residual crosslinked materials or charring. The
residual mass (~57%) at 950°C suggests the presence of thermally stable char or inorganic content. The
absence of early weight loss confirms the low moisture content, making the composite suitable for high-
temperature applications such as paint binders or coatings. (Homa et al., 2020).
The PS/CNSO composite's TGA curve shows a multi-step thermal deterioration characteristic. The evaporation
of surface-adsorbed moisture or volatiles is responsible for the initial slight or nonexistent weight loss below
150°C. The breakdown of polystyrene chains and the organic components of cashew nutshell oil is most
noticeable between 200°C and 600°C.
Figure 2 XRD analysis of PS/CNSO
The XRD pattern of the PS/CNSO composite reveals a combination of amorphous and crystalline phases. The
broad background hump between 15° and 25° is characteristic of the amorphous polystyrene matrix.
Superimposed on this are sharp peaks corresponding to SiO₂, NaO, CaO, and MgO, indicating the presence of
crystalline inorganic phases likely originating from cashew nutshell oil (CNSO) or its ash content. These oxides
are commonly observed in biomass residues, and their presence may enhance the thermal, mechanical, or
barrier properties of the composite material. The XRD data confirm that the composite is partially crystalline,
with the crystalline content attributed to mineral-rich components in CNSO, while the polystyrene remains
largely amorphous. This hybrid structure can be advantageous in applications like paint binders or coatings,
where a balance of flexibility (amorphous) and durability (crystalline fillers) is desirable (Mark et al., 2020).
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Figure 3 FTIR analysis of PS/CNSO
The absorption peak at 3541.72 cm
-1
in the FTIR spectrum of PS/CNSO is the Phenolic (O-H) Stretching. This
is the OH group from cardanol from the CNSO. Its presence confirms that the CNSO (or its derivatives) is part
of the component. The absorption peak observed in the FTIR spectrum of PS/CNSO composite binder at
3056.28 cm
-1
is highly characteristic of sp
2
C-H stretching\ vibrations. This region, specifically above 3000 cm
-
1
, is typically associated with C-H bonds where the carbon atom is part of a double bond or an aromatic ring.
Both components composite, Polystyrene (PS) and Cardanol from Cashew Nut Shell Oil (CNSO), contain the
chemical structures that give rise to a peak in this region (Adewale et al., 2024).
The absorption peak observed in the FTIR spectrum of PS/CNSO composite binder at 2929.87 cm
-1
is an
indicator of the presence of saturated aliphatic C-H bonds. This is one of the most prominent and characteristic
strong peaks from the polymer chain backbone. The 2929.86 cm
-1
peak confirms the fundamental presence of
the saturated polymer structure that forms the bulk of the binder. The FTIR peak observed in the PS/CNSO
composite binder at 1949.1152 cm
-1
is C=C stretching of Alkene Present, due to the unsaturated nature of the
side chain in Cardanol/CNSO and the aromatic ring of both components. The absorption peak in the FTIR
spectrum of the PS/CNSO composite at 1695.30 cm
-1
is most likely attributed to the stretching vibration of a
carbonyl C=O group, characteristic of a ketone and aldehyde, or a conjugated ester/carboxylic acid derivative.
Through the modification of CNSO to create the binder (e.g., reaction with aldehydes, epoxidation, or
esterification) or during the curing/drying/aging process of the binder (e.g., oxidative polymerization of the
unsaturated side chain, which creates alpha, beta-unsaturated ketones or esters) (Jaafar et al., 2017).
The FTIR absorption band at 1452.08 cm
-1
in the PS/CNSO composite binder is primarily attributed to C-H
vibrations from the components. Is mainly a combined signal from both Polystyrene and Cardanol (major
component of CNSO). The strong peak at 1452.08 cm
-1
is a superimposed feature representing the presence of
C-H groups from both the Polystyrene backbone/ring and the aliphatic side chains of the Cardanol (CNSO). It
confirms the presence of these fundamental structural units from both binder components. The FTIR absorption
band at 1168.53 cm-1 in a PS/CNSO composite binder is most likely attributed to the C-O stretching vibration.
Given that the components, the peak at 1168.53 cm
-1
is most reliably assigned to the C-O stretching of the
cardanol (CNSO) component. Its presence confirms the incorporation of the cardanol moiety into the composite
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binder and it might indicate a chemical interaction (like an etherification or cross-linking reaction) occurring
between the PS and CNSO components (Jaafar et al., 2023).
The FTIR absorption band at 982.57 cm
-1
in the PS/CNSO composite binder is most likely associated with the
vibrations of the unsaturated double bonds present in the cardanol component of CNSO. The presence of the
peak at 982.57 cm
-1
confirms that CNSO is present in the composite and C=C double bonds are intact because
these C=C bonds are the sites for oxidative cross-linking (curing) (Adewale et al., 2024).
Finally, the absorption band observed at 735.93 cm
-1
in the FTIR spectrum of the PS/CNSO composite binder
is the characteristic C-H peak of Polystyrene (PS). C-H Aromatic. The clear presence of this peak serves two
main purposes in the context of composite binder: It demonstrates that the PS component has been successfully
incorporated into the binder matrix. And this band relates to the core aromatic structure of the PS polymer. The
phenolic (O-H) band at 3541 cm
-1
indicates that a substantial amount of the CNSO active groups are either free
or hydrogen-bonded, suggesting the material is a physical blend or a grafted copolymer with many unreacted
CNSO hydroxyl groups remaining (Milena et al., 2017). The presence of the C=O peak at 1695 cm
-1
is a
notable feature. It's likely due to blending, cross-linking, modification or oxidation of either the {PS} or, more
commonly, the CNSO component during processing (Milena et al., 2017). The spectral data shown that the
main component of this sample (PS/CNSO) is from PS and CNSO.
Effect of colour oxide (pigment) on the viscosity of the paint produced
Figure 4 Effect of colour oxide (pigment) on the viscosity of the paint produced
The effect of color oxide pigments on the viscosity of paint produced with a PS/CNSO binder is the ability to
control and increase the viscosity of the paint, particularly the low shear viscosity. This effect is essential for
achieving proper rheology in the final coating. Color oxide pigments are particulate solids, and their impact on
paint viscosity is governed by the principles of suspension rheology. The introduction of color oxides, increases
the total volume of the paint. The presence of these dispersed particles physically impedes the flow of the liquid
PS/CSNO paint, leading to a general increase in the bulk viscosity of the paint. The surface of color oxide
pigments is often chemically active. The PS/CNSO binder molecules adsorb onto the surface of these pigment
particles. This adsorption effectively removes some of the liquid binder from the continuous phase, further
concentrating the remaining binder and increasing its viscosity (Zou and Manthiram, 2020).
0
5
10
15
20
25
1 1.5 2 2.5 3 3.5 4
Vicosity (mPas)
colour oxide concentration (g)
PS/CNSO
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Color oxide acts as a rheology modifier and pigment structuring agent, resulting in a consistent and proportional
increase in viscosity in the PS/CNSO binder systems. This viscosity increase translates directly into better
handling and film-forming properties for the oil paint. Colour oxide is successfully wetting and dispersing in
the PS/CNSO binder, creating a stable suspension where the solid pigment particles interact with the polymer
chains to build structure (increase internal friction), leading to a thicker paint. Colour oxide particles contribute
to the solid content and internal structure of the binder, leading to a denser, more cohesive, and potentially more
durable final paint film (Choi, 2022).
Colour oxide helps create the necessary internal friction and structure to physically suspend all pigment
particles. This ensures excellent storage stability and prevents the formation of a hard, un-mixable sediment
(hard settling). Higher viscosity is necessary for achieving a high quality, protective coating. Higher viscosity
prevents the wet paint film from running or sagging (flowing downwards) when applied to vertical or curved
surfaces. The color oxide builds the structure needed to keep the wet film exactly where it's applied, leading to
a uniform, thick film (Doroszkowski, 2020).
The interaction between the colour oxide and the binder (PS/CNSO) is what gives the paint its ideal flow
properties. Color oxide pigment is performing its role perfectly by acting as a structuring agent. The consistent
increase in viscosity ensures the paint has the body required for stability, high film build, and proper application.
PS/CNSO binder is demonstrating a superior ability to achieve high viscosity and may be preferred for a high-
quality, stable, and textured oil paint. The viscosity values increase as the concentration of the color oxide
pigment increases in the PS/CNSO oil paint formulation is a classic and highly good effect. The consistent
proportional increase in viscosity suggests the color oxide particles are being well-dispersed and fully wetted
by the binder (PS/CNSO) (Doroszkowski, 2020).
Effect of colour oxide on the pH of the paint produced
Figure 5 Effect of colour oxide on the pH of the paint produced
Color oxides are chemically stable inorganic compounds, because of this inertness, they do not release acidic
or basic species into the oil or solvent. This prevents any undesirable chemical reactions that could lead to
increase in the acidity of the paint (Pataki-Hundt and Hummert, 2016).
The effect of adding colour oxide is the increase in the paint's pH, effectively making the highly acidic binders
(PSPO) less acidic and improving the paint's stability and performance. In both paint systems (PS/CNSO), the
pH rises directly with increasing colour oxide concentration, shifting the overall mixture away from a highly
acidic state. The observed increase in pH is likely due to the chemical nature of the color oxide pigment
(typically iron oxide, Fe
2
O
3
). Iron oxides are generally considered to be alkaline or neutral in their chemical
behavior and have a buffering capacity. When the solid colour oxide particles are dispersed into the acidic
0
1
2
3
4
5
6
7
1 1.5 2 2.5 3 3.5 4
pH Reading
Colour oxide concentration (g)
PS/CNSO
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binder (PS/CNSO), they act as a base to neutralize some of the acid in the system, causing the overall pH to
rise (Pataki-Hundt and Hummert, 2016).
The shift in pH from the strong acid range pH toward the weaker-acid/near-neutral range pH approx 5.5
provides several crucial benefits for the paint. A lower pH (higher acidity) dramatically increases the risk of
metal corrosion when the paint is applied to a metal substrate (like in anti-corrosive primers). Colour oxide
significantly reduces the corrosivity of the paint by reducing the acidity of the paint, improving the long term
protection of the painted material. Extremely low pH can lead to the degradation or breakdown of certain
components in the binder. Bringing the pH closer to the pH range where resins are stable (pH > 4) helps preserve
the integrity of the binder, leading to a more durable paint film (Bresser et al., 2018).
The effect is the neutralization and stabilization of the paint's acidity, which is crucial for long term stability
and performance. Color oxide pigments are often alkaline or possess sufficient acid neutralizing capacity. The
colour oxide is consuming or reacting with the acidic components in the formulation. Oil-based binders
(PS/CNSO) naturally produce free fatty acids during their production (pyrolysis), making the paint acidic. The
color oxide acts as an acid scavenger, raising the pH closer to neutral (Bresser et al., 2018).
Reducing the paint's acidity is vital when the paint is applied to sensitive substrates, especially metal. High
acidity leading to flash rusting or corrosion of the substrate itself. The color oxide's ability to raise the pH
provides a corrosion inhibiting function. Maintaining a stable pH contributes directly to the paint's shelf life.
Extremely acidic or alkaline conditions can destabilize the polymer chain of the binder, leading to unwanted
chemical reactions. High acidity, in particular, can accelerate polymerization or cross-linking, causing the paint
to rapidly increase in viscosity and eventually gel or form a solid mass (livering) (Torrent, 2024).
Effect of Colour Oxide on the Refractive Index of the Paint Produced
Figure 6 Effect of colour oxide on the refractive index of the paint produced
The effect of color oxide pigments on the refractive index of paint produced with a PS/CNSO binder is the
ability to precisely control the optical properties specifically, the opacity and tinting strength of the colored
film. Color oxides (yellow, red, black), have a significantly higher refractive index (n) than the PS/CNSO
binder. Opacity (hiding power) in a paint film relies on the ability of the pigment particles to scatter light. The
efficiency of light scattering is directly proportional to the refractive index difference between the pigment and
the surrounding binder medium (Azani, and Hassanpour, 2024).
While TiO
2
scatters all light, color oxide scatters and absorbs specific wavelengths of light, which is what
creates the color we see. High efficiency light scattering ensures that the incident light interacts with the pigment
particles effectively. This efficient interaction maximizes the colour oxide tinting strength (the intensity of the
color) and ensures the final dried paint film achieves the deepest and most saturated hue intended by the
1.35
1.4
1.45
1.5
1.55
1.6
1.65
1.7
1.75
1.8
1 1.5 2 2.5 3 3.5 4
Refractive index
Colour oxide concentration (g)
PS/CNSO
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formulator. Without a high change in refractive index, the color would appear dull, weak, or semi-transparent
(Lade, 2017).
An increase in the concentration of the color oxide (pigment) in PS/CNSO composite binder consistently leads
to an increase in the refractive index of the PS/CNSO oil paint. This effect is generally desired for improving
the PS/CNSO paint's hiding power (opacity) and brilliance/color intensity. PS/CNSO paint results show a clear
and consistent trend; as the concentration of the color oxide increases from 1g to 4g, the refractive index of the
resulting oil paint produced steadily rises. These rise in refractive index (RI) of the PS/CNSO paint increases
as the concentration of the color oxide pigment increases, that confirms the colour oxide pigment is contributing
to the paint's optical function. The effect of the color oxide on the PS/CNSO paint's RI is its role in providing
the desired opacity and hiding power through light manipulation. The most critical effect is that the color oxide
pigment dramatically increases the paint's ability to scatter light, thereby providing color and hiding power
(Longoni, 2022).
Higher refractive index in the PS/CNSO paint has direct, positive effects on the final coating's appearance;
Opacity is primarily determined by the difference between the refractive index of the pigment particles and the
refractive index of the surrounding binder medium (n = n
pigment
- n
binde
r). A higher paint refractive index,
especially when driven by a high RI pigment, generally indicates greater scattering of light. This translates to
better hiding power and a paint that requires fewer coats to cover the substrate (ller and Schackmann, 2023).
The predictable, continuous increase in RI as pigment concentration rises is a strong quality control indicator.
The consistent trend suggests that the colour oxide is being uniformly dispersed by the PS/CNSO binders across
all tested concentrations. If the pigment were poorly wetted or flocculated, the light scattering would be less
efficient, and the RI trend would be erratic or lower than expected. It confirms that the binder system is
successfully maintaining the large change in RI required for hiding power, allowing the paint's optical property
to be accurately tuned by adjusting the color oxide loading (Boyd, 2015).
Table 2 Effect of colour oxide on the water resistance of the paint produced
PS/CNSO Paint Water Resistance
Pass
Pass
Pass
Pass
Pass
Pass
Pass
The effect of color oxide on the water resistance of paint produced with a PS/CNSO binder is the creation of a
more effective physical barrier against moisture penetration. This enhancement is primarily due to the chemical
inertness of the oxides and the reinforcement they provide to the dried film. The solid, inorganic nature of the
color oxides mechanically strengthens and densifies the cured PS/CNSO film, making it less prone to cracking
and prevent micro pores that would otherwise allow water ingress. Most color oxides, are highly stable and
chemically inert. They are insoluble in water and do not react with moisture or atmospheric pollutants. This
prevents the colour oxide itself from degrading or creating water soluble by-products that could draw water
into the film (a process called osmotic blistering). Their chemical stability ensures they do not accelerate the
hydrolysis (water induced degradation) of the PS/CNSO binder, thereby helping the binder maintain its own
inherent water repellent qualities over time (Kolya, and Kang, 2024).
The result show that all the PS/CNSO paint samples produced, across various concentrations of color oxide are
hydrophobic in nature (PS/CNSO), all the concentrations passed the water resistance test is a strong
confirmation that the color oxide pigment is successfully integrated into the protective film. The effects of the
color oxide on water resistance stem from its chemical inertness, its role in film density, and its ability to buffer
acidity, which protects the hydrophobic binder matrix (Rojtman et al., 2024).
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Colour oxide displaces volume that could otherwise be occupied by minor water sensitive components, ensuring
the final film is composed overwhelmingly of water resistant material. The solid colour oxide contributes to a
tighter, less permeable barrier against water ingress. Colour oxide physically occupying space and packing
tightly within the binder matrix, the colour oxide pigment helps minimize microscopic voids and channels,
significantly reducing the film's overall Water Vapor Permeability (WVP). This prevents water from easily
penetrating the film and reaching the substrate or the binder (Buchman, 2025).
The color oxide, by shifting the pH towards neutral, protects the binder from acid catalyzed hydrolysis. Water
combined with high acidity (H
+
ions) can chemically attack the ester bonds and other linkages in the oil binders,
leading to rapid degradation and loss of adhesion/strength when exposed to the water resistance. Colour oxide
neutralizing acidity, the colour oxide ensures the paint film maintains a stable interface with the substrate. This
prevents the loss of adhesion that commonly occurs when a highly acidic film is exposed to water, which lead
to blistering and peeling (Buchman, 2025). Color oxide acts as a chemically inert stabilizer that helps the
hydrophobic PS/CNSO binders form a durable, dense, and pH stabilized barrier that successfully withstands
the water resistance challenge (Azani, and Hassanpour, 2024).
Table 3 Effect of colour oxide on the adhesion of the paint produced
PS/CNSO Paint Adhesion
Pass
Pass
Pass
Pass
Pass
Pass
Pass
The effect of color oxide on the adhesion of paint produced with a PS/CNSO binder is primarily through
mechanical interlocking and enhancement of the film's cohesive strength. Color oxide pigments, due to their
fine particle size and generally irregular morphology, physically enhance the connection between the PS/CNSO
binder and the substrate.
The result show that all the PS/CNSO paint samples produced, across various
concentrations of color oxide, pass the adhesion test is a crucial success. It confirms that the color oxide
pigments are fully compatible with the hydrophobic binders (PS/CNSO) and actively contribute to the long
term bond strength of the film to the substrate. The effects of the color oxide on adhesion are linked to substrate
interaction, film reinforcement, and chemical stability. Good adhesion begins when the liquid paint makes
intimate contact with the surface (wetting) (Hang et al., 2024).
Adhesion is the attractive force that keeps the PS/CNSO paint film attached to the substrate or Adhesion is the
bond to the substrate, cohesion is the internal strength of the paint film itself. High adhesion is useless if the
film is weak (poor cohesion). Color oxide pigments act as reinforcing fillers. Their solid, rigid particles increase
the tensile strength and hardness of the cured PS/CNSO film, making it less likely to crack, tear, or pull away
from the surface when subjected to stress (like temperature changes or physical impact) (Algellai, 2018).
Adhesion is only as strong as the film's internal strength (cohesion) when color oxide act as micro
reinforcements within the cured polymer matrix. They increase the film's cohesive strength and toughness. A
stronger film is better able to resist internal stresses (from drying shrinkage) and external mechanical stresses
(like impact or flexing) without tearing itself away from the substrate, thereby preventing adhesion failure.
Colour oxide pigment which is a non-volatile solids and replace volatile solvents by reducing the overall
volume shrinkage of the film during curing.
Lower shrinkage minimizes the tensile stress exerted at the paint/substrate interface, helping to preserve the
adhesive bond. Color oxide pigment is not just a colorant; it is a functional additive that structurally reinforces
the film and chemically stabilizes the system, allowing the hydrophobic binders to achieve maximum, long-
lasting adhesion (Randhawa, 2024).
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Table 4 Effect of colour oxide on the gloss of the paint produced
Colour Oxide (g)
PS/CNSO Paint Gloss
1
Pass
1.5
Pass
2
Pass
2.5
Pass
3
Pass
3.5
Pass
4
Pass
Gloss is the degree to which a surface reflects light directionally (specularly). It relies on a smooth,
uninterrupted surface finish.
All the concentrations of color oxide pass the gloss test, with a distinct
concentration in gloss occurring around 2.5g to 3g, confirms that the colour oxide pigment is successfully
incorporated into the binders (PS/CNSO) without causing surface roughness.
The effects of the color oxide on gloss are related to its ability to create a smooth, continuous surface film,
which is maximized at the optimal concentration. High gloss requires a paint film surface that is perfectly
smooth at a microscopic level, causing light to reflect directionally (specular reflection). When color oxides,
are incorporated into the liquid PS/CNSO binder, they protrude slightly from the drying film's surface. These
tiny, rough particles cause light to be scattered diffusely rather than reflected cleanly. This light scattering leads
to a reduction in the film's gloss. When the color oxide is at a moderate concentration, it aids in the formation
of a smooth surface.
The color oxide particles are effectively wetted and dispersed by the PS/CNSO binder. This ensures a
homogeneous liquid paint that flows out smoothly when applied, eliminating surface defects like brush marks
or irregularities that would scatter light and reduce gloss. The colour oxide contributes to the paint produced
overall viscosity, helping it maintain a stable film thickness that allows for good leveling before curing (Maile,
2021).
The paint samples produced show the best gloss at 2.5 g to 3 g concentration and then starts to decrease (though
still very good) highlights the concept of Optimal Pigment Volume Concentration (OPVC) for gloss. Above 3
g is just wasting of resources because it does not show any significant changes or effect in the paint formulation.
The 2.5g to 3g range represents the OPVC where the pigment is perfectly covered by the binder. The colour
oxide particles are seated just below the surface, and the maximum volume of excess binder is available to form
a continuous, thick, glass like layer over the top. This glossy top layer reflects the light most efficiently (Maile,
2021). Color oxide effect on gloss is to enable the formation of a highly smooth, reinforced surface, with the
2.5g to 3g range providing the ideal balance of pigment strength and binder coverage necessary for the highest
sheen.
Table 5 Effect of colour oxide on the weather stability of the paint produced
Colour Oxide (g)
PS/CNSO Paint Weather Stability
1
Pass
1.5
Pass
2
Pass
2.5
Pass
3
Pass
3.5
Pass
4
Pass
The effect of color oxide on the weather stability of the paint produced with a PS/CNSO binder is their ability
to act as heat and UV shields, thereby preventing thermal and photo-oxidative degradation of the binder. Color
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oxides, being inorganic mineral compounds (metal oxides), are inherently stable and have a very high
decomposition temperature compared to binder materials.
Colour oxide do not degrade or change structure when exposed to high temperatures. This stability contributes
to the overall thermal integrity of the PS/CNSO paint film, ensuring the colour oxide pigments themselves don't
become a weak point under heat stress (Pfaff, 2022).
Colour oxide pigment particles reflect a portion of the infrared (heat) radiation, reducing the amount of thermal
energy absorbed by the film. This helps lower the surface temperature of the paint, mitigating damage from
excessive heat. Shielding the binder (PS/CNSO) from UV and excessive heat, the pigments help the PS/CNSO
binder retain its original chemical structure, flexibility, and strong adhesion for a longer period, preventing the
early failure that high temperatures and sunlight would otherwise cause (Rossi et al., 2021).
The result shows all the PS/CNSO paint samples produced, across various concentrations of color oxide, pass
the weather stability test is a crucial success for the durability of the formulation. It confirms that the color
oxide pigments are compatible with the hydrophobic binders (PS/CNSO) and actively contribute to the film's
long term resistance to environmental stress. Color oxides are inorganic and highly stable, which enhances the
film's resistance to environmental chemicals (Zhang and Naebe, 2021).
Weathering often involves moisture (rain, dew) combined with atmospheric acids. The colour oxide acid
buffering capacity protects the PS/CNSO binder from acid catalyzed hydrolysis (chemical breakdown by
water), which would otherwise weaken the polymer chain and lead to embrittlement, cracking, and premature
film failure.
The color oxide provides physical reinforcement, increasing the film cohesive strength. This allows the film to
better resist the enormous tensile stresses caused by thermal cycling (heating and cooling) and moisture cycling
(swelling and shrinking), preventing the formation of micro-cracks that initiate full film failure. Color oxide
acts as a multifunctional ingredient such as UV shield, chemical stabilizer, and a structural reinforcer, all of
which are essential for achieving the high bar of weather stability (Zhang and Naebe, 2021).
CONCLUSION
This research successfully demonstrated the conversion of solid polystyrene waste and cashew nut shell oil
waste into a sustainable and effective composite binder through a blending process. The resulting PS/CNSO
composite binder was effectively utilized in the production of oil-based paints, showcasing a promising
approach to waste valorization and environmentally friendly manufacturing. Additionally, the investigation into
the effects of varying concentrations of color oxides revealed that these additives significantly influence the
properties of the resulting oil paints. The findings indicate that optimizing the concentration of color oxides can
enhance the performance characteristics of the paint, thereby offering valuable insights for future development
and application of sustainable paint formulations. Overall, this study contributes to the advancement of eco-
friendly materials in the coatings industry while addressing waste management challenges
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