Stitching Sustainability: Phulkari as a Model for Tradition-based Women’s Enterprises
Article Sidebar
Main Article Content
This paper explores the dynamic intersection of traditional knowledge systems and women-led entrepreneurship through a case study of Phulkari, the iconic embroidery art form of Punjab. Rooted in the cultural and social fabric of Punjabi life since the 15th century, Phulkari has historically been practiced by women to commemorate significant life events, transmitted through generations via oral and experiential traditions. The study traces Phulkari’s evolution from a domestic and ritualistic craft to a commercially viable industry, examining how this transformation has opened new avenues for women of rural and semi-urban areas to engage in entrepreneurship. Women artisans in the 21st century, through cooperatives, Self-Help Groups (SHGs), and digital platforms such as Amazon Karigar and GoCoop, have leveraged Phulkari not only as a means of socio-cultural reclamation and innovation but also as a sustainable source of income. This paper also discusses the critical challenges faced by the sector, including limited market access, exploitation by intermediaries, digital illiteracy, and the erosion of authenticity due to mass production, all at their times. To combat these, the Geographical Indication (GI) tag was awarded to Phulkari in 2009 is evaluated as a potential tool for safeguarding community intellectual property. The study argues that Phulkari-based women’s entrepreneurship serves as a replicable model for inclusive and sustainable development, proving how indigenous traditions can be harnessed for both economic empowerment and cultural preservation.
Downloads
References
Maskiell, M. (1999). Embroidering the past: Phulkari textiles and gendered work as “tradition” and “heritage” in colonial and contemporary Punjab. The Journal of Asian Studies, 58(2), 361–388.
Gera, K. A. (2013). Phulkari empowers women in Punjab.
Gupta, A. H., & Mehta, S. (2014). Patterns of Phulkari: Then and now. Bonfring International Journal of Industrial Engineering and Management Science, 4(4), 179–185. https://doi.org/10.9756/bijiems.6133
Kaur, R., & Gupta, I. (2014). Phulkari and Bagh folk art of Punjab: A study of changing designs from traditional to contemporary time. American International Journal of Research in Humanities, Arts and Social Sciences, 5(1), 35–43.
Sunanda, & Sangwan, S. (2014). Women empowerment through income generation activity by adaptation of traditional Phulkari. IOSR Journal of Humanities and Social Science (IOSR-JHSS), 19(4), 45–48. https://doi.org/10.9790/0837-19434548
Gupta, A. H., & Mehta, S. (2016). The effect of colonization and globalization in the shaping of Phulkari: A case study of the textiles of Punjab, India.
Kapoor, P. (2021). Handicraft industry and women's struggle for empowerment in contemporary India: A case study of Phulkari as a gendered work. IIAS Review, 27(1).
Kohli, H. K., Lehal, R., Kaur, H., & Sharma, N. (2021). Phulkari art: A tool for women empowerment in Punjab. Journal of Gender Studies, 12(3), 45–56. https://doi.org/xxxx
Kaur, B., & Agarwal, S. (n.d.). (2022). Contemporary adaptation of Phulkari embroidery in fashion and textile: A cultural resurgence.

This work is licensed under a Creative Commons Attribution 4.0 International License.
All articles published in our journal are licensed under CC-BY 4.0, which permits authors to retain copyright of their work. This license allows for unrestricted use, sharing, and reproduction of the articles, provided that proper credit is given to the original authors and the source.