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Collaborative Governance in Empowering Batik Lasem Creative Economy: A Community Engagement Perspective

Authors

Bresca Merina

Faculty of Social and Political Sciences, Proclamation 45 University, Yogyakarta, Indonesia (ID)

Usep Suhud

Faculty of Economics and Business, Universitas Negeri Jakarta, Indonesia (ID)

Doni Sugianto Sihotang

Faculty of Economics and Business, Universitas Negeri Jakarta, Indonesia (ID)

Agus F Abdillah

Management Study Program, Agung Putra University, Indonesia (ID)

Yunita Ismail

Faculty of Engineering, President University, Indonesia (ID)

Ganjar Wibowo

Faculty of Social and Political Sciences, University of Al Azhar Indonesia, Indonesia (ID)

Hamilah

Master of Accounting, STIE YAI, Indonesia (ID)

Nur Endah Retno Wuryandari

Faculty of Business and Social Sciences, Dian Nusantara University, Indonesia (ID)

Article Information

DOI: 10.51583/IJLTEMAS.2026.150500015

Subject Category: Management/Goverment

Volume/Issue: 15/5 | Page No: 152-168

Publication Timeline

Submitted: 2026-05-23

Published: 2026-05-23

Abstract

The main goal of this community involvement event is to examine and improve how different groups work together to support the Batik Lasem creative economy. The program is designed in a way that encourages people to take part and share their ideas. It uses structured group discussions, called Focus Group Discussions (FGD), with people from local government, universities, non-profit groups, researchers, and batik makers. This method helps everyone involved to create knowledge together, talk openly, and find common problems and chances for growth within the Batik Lasem community. The results show that working together is very important for helping different groups work well together, building trust, and getting everyone on the same page for development. The program also gives useful results like creating mentorship programs for batik makers, including cultural values in local economic plans, and making a report to send to regional leaders. It also helps people understand how government systems work, build better connections between groups, and give batik makers more skills to deal with bigger economic and policy issues. Even though there are good results, there are some challenges, like the short time of the project and the need for ongoing support to keep things moving long-term. Overall, this program shows that working together can be a good way to connect cultural preservation with economic growth in creative industries that are based on heritage. It also offers a model that can be used in similar projects in other communities.

Keywords

collaborative governance, creative economy, batik Lasem, community engagement, stakeholder collaboration..

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References

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